Before her new exoskeleton hardens,
she comes on to him in the eelgrass
and sandy bottom not by flirting
with her purple legs or her white-tipped claws
that clench oysters, tiny fish and clams.
She lets go her urine, so wonderfully
full of pheromones and he is on to her
tucking her in a pre-mating embrace.
Such summer love this holding,
this belly-to-belly nudge among the mussels
and barnacle reefs under the swell of waves
so coy in the silence of love
before she urinates on his antennae—
her greatest come-hither, her valentine-be-mine
in the low intertidal zone.
The river moves to the music
of drum brushes, sax, white dresses
and heat, swishes of sand. She spins
a groove against the bank, caustic
as castanets, flashy as fan dancers
what gypsy jazz does: nomadic guitars,
small-hammered rhythms of violins,
double bass blasting in back eddies, fat
fat harmonies, the water swilling, swishing.
To dance with her you slide your skin
within her skin, fold the cold into your breathing—
a jazz rant for famished swimmers.
Sizzles like flapjacks. Fizzles like swizzle sticks.
The river, she bows and bends, blends the hum
of glacial silt with melting ice. She bends
unendingly. Take her hand. Fall into her sway.
She will catch you. Hear her tiny-tap
through mountains and valleys
the vernacular backbeat of snow now
vocal with a stirred-up thrum of dance.
She’s an agile Aphrodite, sly with a V-shaped jaw,
hears her babies calling inside their eggs. Fire
inside her eyes but so cool, she never sweats, best
as bassist slapping time with her tail, bites down
rhythm thousands of pounds per square inch. Behind
her third eyelid she’s keeping time, miming the wind,
spinning a theme of reeds. When she holds her breath
for an hour—more power like a curse-laden blues.
Gaping mouth airing out her lungs, strung-out
on nightclouds, on notes of the swamp’s suck
and squelch, fractures a phrase, more spinning,
jazzes the day and dark then crunches pebbles
in her jaw, crazy notes punched like a sax.
Song becomes water, unfastens the swamp.
With bony flaps in her throat she drumbrushes,
screeches a backbeat, thwaps diddly whap-whap.