A day with nothing on the calendar,
alone at home with the heat humming,
homemade lentil soup defrosting.
My two craft tables cleared off, ready
for my next burst of creativity, paints
and canvases visible on open shelves.
Pouring acrylics onto canvas, tilting
as they mix and spill over the edges,
finally no inhibitions or fear a mess.
Beads, buttons, thread, embroidery
floss, needles and pins, watercolors,
metallics, spreaders and brushes. Enough
paper and fabric for two or three life-
times. A pantry filled with nuts, pasta,
tuna for the coming ice and snow.
Poetry books alphabetized by author
in my living room, calling me back
to read them again, to read aloud.
Clean sheets, a clean house, laundry
folded according to my specs, socks
sorted in a drawer by color. Cards
I made, stamped to please friends
far away. One for my godmother—
ninety, alert, still remembering stories.
Planning Thanksgiving dinner for a loved
buddy, making a list of vegetables he’ll
eat. All tasks crossed off a to-do list.
Up at four, when it’s still dark
no matter the season or the sun’s spots.
Even the cats have gone back to sleep
after their midnight races on the stairs.
Alone with my notebook, no radio,
no one calling, I fill this empty house
with the scent of coffee gurgling
and empty my head of what rattles
within my closed darkness. Today
the image of crows on the drain field,
standing out against the yellow-green
of drying grass, speaking clearly
to each other as I wish I could,
in a language both familiar and strange.
When they believe no one is eavesdropping,
they lower their pitch to a clear muttering.
Like your “noodling” in poems, William,
under one light in a farmhouse in Kansas,
where deer venture out at night and take
whatever risks come with crossing a road,
with traveling through the dark.